Elia Kazan Quotes, Sayings, Remarks, Thoughts and Speeches



Elia Kazan Quotes and Sayings


  • 1
    A film director has to get a shot, no matter what he does. We're desperate people. Elia Kazan | Refcard PDF
  • 2
    A good director's not sure when he gets on the set what he's going to do. Elia Kazan | Refcard PDF
  • 3
    Acting... was the biggest charge I ever had. What other artist has it so good? Approval so quick? Elia Kazan | Refcard PDF
  • 4
    Anybody who informs on other people is doing something disturbing and even disgusting. Elia Kazan | Refcard PDF
  • 5
    Every fighter has one fight that makes or breaks him. Elia Kazan | Refcard PDF
  • 6
    Every picture that is successful has one little miracle in it. Elia Kazan | Refcard PDF
  • 7
    For years after I resigned, I was still faithful to their way of thinking. But not in the American Communists. Elia Kazan | Refcard PDF
  • 8
    Hey, you must be doin' good, 'cause I never hear from you. Elia Kazan | Refcard PDF
  • 9
    I didn't have that much confidence. Maybe it looks that way. I'm glad it does. Elia Kazan | Refcard PDF
  • 10
    I don't remember anything anybody said in any Jack Ford picture. Nothing happens except action. Elia Kazan | Refcard PDF
  • 11
    I gave my life to the Group Theatre, because in it I'm building something for myself. What I build, I am. Elia Kazan | Refcard PDF
  • 12
    I hate the Communists and have for many years and don't feel right about giving up my career to defend them. I will give up my film career if it is in the interests of defending something I believe in, but not this. Elia Kazan | Refcard PDF
  • 13
    I have no spy stories to tell, because I saw no spies. Nor did I understand, at that time, any opposition between American and Russian national interest. Elia Kazan | Refcard PDF
  • 14
    I joined the Communist Party late in 1934. I got out a year and a half later. Elia Kazan | Refcard PDF
  • 15
    I knew the exuberance of playing before an admiring audience and hearing my secret voice. Elia Kazan | Refcard PDF
  • 16
    I like directors who come on the set and create something that's a little dangerous, difficult or unusual. Elia Kazan | Refcard PDF
  • 17
    I may be getting old, but not foolish. Elia Kazan | Refcard PDF
  • 18
    I owe Bankhead a gift; she made a director out of me. Elia Kazan | Refcard PDF
  • 19
    I question the value of stars. I think they're overrated. They get too much money, too much praise. Elia Kazan | Refcard PDF
  • 20
    I said to Tennessee, this thing is becoming the Marlon Brando show. Elia Kazan | Refcard PDF
  • 21
    I spoke without fear of contradiction. I simply did not suffer self-doubt. Elia Kazan | Refcard PDF
  • 22
    I think there should be collaboration, but under my thumb. Elia Kazan | Refcard PDF
  • 23
    I truly believe that all power corrupts. Such is probably the thinking behind every political film ever made in Hollywood. Elia Kazan | Refcard PDF
  • 24
    I used to spend most of my time straining to be a nice guy so people would like me. Elia Kazan | Refcard PDF
  • 25
    I value peace when it is not bought at the price of fundamental decencies. Elia Kazan | Refcard PDF
  • 26
    I want to thank the Academy for its courage and generosity. Elia Kazan | Refcard PDF
  • 27
    I was always a self-conscious person. Elia Kazan | Refcard PDF
  • 28
    I was an outsider... but I was also sympathetic with people that were struggling to get up, because I struggled to get up. Elia Kazan | Refcard PDF
  • 29
    I was both very successful and very left; the living demonstration of how you could be on the left and still be in the gossip columns and be envied for the money you made. Elia Kazan | Refcard PDF
  • 30
    I was even superior to the Communists and when they didn't go along with me, I quit them. Elia Kazan | Refcard PDF
  • 31
    I was not a collective person or a bohemian; I was an elitist. Elia Kazan | Refcard PDF
  • 32
    I was not what you'd call a first-class actor, but I did all right. Elia Kazan | Refcard PDF
  • 33
    I was taken in by what might be called the Hard Times version of the Communists' advertising or recruiting technique. Elia Kazan | Refcard PDF
  • 34
    I was the hero of the young insurgent working class art movement. Elia Kazan | Refcard PDF
  • 35
    I was the true future. I understood Communism better than they did. Elia Kazan | Refcard PDF
  • 36
    I was very intense. I think it's a privilege to be an actor. Elia Kazan | Refcard PDF
  • 37
    I will say nothing to an actor that cannot be translated into action. Elia Kazan | Refcard PDF
  • 38
    I would rather do what I did than crawl in front of a ritualistic Left and lie the way those other comrades did betray my own soul. Elia Kazan | Refcard PDF
  • 39
    I wouldn't go up on a stage now if you paid a thousand dollars for one minute of acting. It's a nasty experience. You're up there all by yourself. You're so damn exposed. Elia Kazan | Refcard PDF
  • 40
    I'm going to make a film where not one word is really important. I'm going to make it all action. Elia Kazan | Refcard PDF
  • 41
    I'm small, but I'm neither compliant nor agreeable. Elia Kazan | Refcard PDF
  • 42
    I've lost many of my best friends... I'm going to satisfy myself now, not the critics, not even my friends. Elia Kazan | Refcard PDF
  • 43
    Miller didn't write Death of a Salesman. He released it. It was there inside him, waiting to be turned loose. That's the measure of its merit. Elia Kazan | Refcard PDF
  • 44
    Our relationship was cursed by the fact that we agreed on everything. Elia Kazan | Refcard PDF
  • 45
    Stylized acting and direction is to realistic acting and direction as poetry is to prose. Elia Kazan | Refcard PDF
  • 46
    The belief that the good in American society will finally win out... I don't believe any more. Elia Kazan | Refcard PDF
  • 47
    The Communists automatically violated the daily practices of democracy to which I was accustomed. Elia Kazan | Refcard PDF
  • 48
    The essence of the stage is concentration and penetration. Of the screen action, movement, sweep. Elia Kazan | Refcard PDF
  • 49
    The first thing you should do with an actor is not sign a contract with him. Take him to dinner. And take him for a walk afterwards. Elia Kazan | Refcard PDF
  • 50
    The makers of entertainment must try, in our field, to be honest and grown-up. Elia Kazan | Refcard PDF
  • 51
    The more ambivalent you are and the more uncertain you are, then you can get something that you cannot anticipate. Elia Kazan | Refcard PDF
  • 52
    The motion pictures I have made and the plays I have chosen to direct represent my convictions. Elia Kazan | Refcard PDF
  • 53
    The physical life of the scene is determined by whether the set squeezes people together or whether the set has an escape place in it. Elia Kazan | Refcard PDF
  • 54
    The thing about Brando was that I'd make these directions, and he'd walk away. He'd heard enough... to get the machine going. Elia Kazan | Refcard PDF
  • 55
    The world was like a huge red carpet out ahead of me to be walked on. And it stretched on and on, no end. Elia Kazan | Refcard PDF
  • 56
    The writer, when he is also an artist, is someone who admits what others don't dare reveal. Elia Kazan | Refcard PDF
  • 57
    There is only one thing I respect in so-called Broadway actors... and that is their competitive sense. Elia Kazan | Refcard PDF
  • 58
    There was no doubt that there was a vast organization which was making fools of all the liberals in Hollywood and taking their money, that there was a police state among the Left element in Hollywood and Broadway. Elia Kazan | Refcard PDF
  • 59
    To be a member of the Communist Party is to have a taste of the police state. It is a diluted taste but is bitter and unforgettable. Elia Kazan | Refcard PDF
  • 60
    Very often the Group actor is a critic when he's acting and an actor when he's criticizing. Elia Kazan | Refcard PDF
  • 61
    What's called a difficult decision is a difficult decision because either way you go there are penalties. Elia Kazan | Refcard PDF
  • 62
    Whatever hysteria exists is inflamed by mystery, suspicion and secrecy. Hard and exact facts will cool it. Elia Kazan | Refcard PDF
  • 63
    When you know what an actor has, you can reach in and arouse it. If you don't know what he has, you don't know what the hell is going on. Elia Kazan | Refcard PDF
  • 64
    You can't just sit there and do the lines. You have to do something revealing or unusual. Elia Kazan | Refcard PDF
  • 65
    You have no idea how fragile an actor's self-worth is. Elia Kazan | Refcard PDF
  • 66
    You have to remind people of their own struggles. It's a responsibility. Elia Kazan | Refcard PDF
  • 67
    You've got to keep fighting - you've got to risk your life every six months to stay alive. Elia Kazan | Refcard PDF

 

  

  

 

  

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